Part of what I saw and lived as a child is reflected today in my work

“No.1 / series: The Artist’s Mind” – Mixed, Acrylic and recycled cardboard on wood- 18.5in x 18.5in x 1.57in, 2017

Name: Leo Vergel

DOB: December 1988

Place of birth: Cartagena de Indias, Colombia

Occupation: Artist

I was born on December 16, 1988 in the Caribbean city of Cartagena de Indias, Colombia, I was given the name Jesús Leonardo Vergel Alvarez, but I prefer Leonardo Vergel, because of the pressures of this society that is always dictating what to do, ending up giving up and studying a university degree “Profitable”, which by the way does not end because I decided to make art and live from it. I have never entered an artistic institution, I firmly believe in confronting the work a thousand times and do it very often, I am totally self-taught, painting now means for me to have recast the child I had forgotten.

“Palenquera No.1” – Mixed, Acrylic and recycled cardboard on wood -38.19in x 27.36in x 1.57in, 2015

“Palenquera No.2” – Mixed, acrylic and recycled cardboard on wood- 24.02in x 17.32in x 1.57in, 2016

My technique is to use colored cardboard cutouts, I can use them in a way that has an order or a random shape purposely that allows me to express the idea at that time. The shapes I use are rectangular, square, rhomboid or other triangular cases, I think it is because when I had a little fun playing using these materials and associated them with those geometric figures I saw in school.

“Palenquera No.3” – Mixed, Acrylic and recycled cardboard on wood- 48.03in x 36.02in x 1.57in, 2017

This can also be seen in the funds that I make in my works, to this is added that when I was 7 or 8 years I saw a lot of Japanese TV program called “nopo y gonta” where the presenter very creatively taught Children on topics such as geometry and how this could be creatively used to create any number of fun objects. Part of what I saw and lived as a child is reflected today in my work.

“Mango”- Mixed, Acrylic and recycled cardboard on wood, 55cm x 44cm x 4cm, 2016

My work is handled in a genre that I still try to understand and that for me is handled between painting and collage, but I could not say that it is clearly one or the other. My work begins to manage a little symbolism, from the memories, what I live in my daily life and what I think or how I see the world.

“No.2 / The Artist’s Mind” Acrylic and recycled cardboard on wood, 2017
“No.3 / The Artist’s Mind”- Mixed, Acrylic and recycled cardboard on wood-31.89in x 28.74in x 1.57in, 2017

I like to think that it is Fauvism, by the way I express myself emotionally through color, but with recycled cardboard of vivid colors reinforced with acrylic. I have seen and I am inspired by works of great masters like Gustav Klimt, the way as in his work and uses the color are great teaching for me and I try to achieve it with my work, that the color and the human figure achieve a moving impact In people to the point of reflection. I would like very much to get my work to transcend my generation and in fact to impact people, to let people know that there are always second chances, I want to leave a legacy. My technique is inherent in me, it represents my childhood, when you do not have the resources to paint the only thing that matters is you and your imagination, the rest you forget, it loses importance.

“Open Cage”- Acrylic & recycled cardboard on wood, 45.67in x 35.83in x 1.57in, 2017

 

Exhibitions

2015- Artists Happy Hour. Roxana Avila. Badillo Hotel Gallery. Cartagena Colombia.

2016- Project 30. Art Director: Leonardo González. XIX Festival Zaquesazipa-Funza.

2016- Funza, Cundinamarca, Colombia.


© Leonardo Vergel

Colour

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We live our lives in colour. Each one of us perceives colour differently, and how we react to colours might depend on our eyesight, or mood or where we are from. Artists often use colour to explore their thoughts or feelings or their place in the world. Artists in the 20th and 21st centuries have tried to expend the way colour is used, from paint to photography to new materials.

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“Strip”, 2011

Gerhard Richter
Digital print on paper between aluminium and acrylic.

In 2011, at the age of 80, he used computer software to divide a photograph of one of these paintings into thin strips, splitting and dividing it again and again.

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Ellsworth Kelly
“Yellow Curve” 1996
Oil paint on canvas
Ellsworth Kelly explored colour and shape or ‘from’. He was interested in how we experience his art physically.
Kelly repeated shapes he saw in the world around him, such as shadows or spaces between objects. But his yellow triangle doesn’t represent anything other than what it is. He said the space he was interested in was not the surface of the painting, ‘but the space between you and the painting’.

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Benode Behari Mukherjee 1904 – 1980
Born and worked India
Coloured paper collage on card
He was born blind in one eye and when he lost the sight in both eyes he began to make paper collages (like Henri Matisse).
He said he could tell the colour of the paper by touch and his inner eye guided his fingers to create art.

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Notes from Tate Modern.

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Brooklyn-based pop artist’s iconic characters are now at Yorkshire Sculpture Park until 20 November 2016.

 

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“I’m thinking about how these cartoons and objects operate in your life… I feel like this visual vocabulary has such a reach and and it’s amazing to think that people are growing up on the same sort of imagery. I like to take elements of that and put it into the work and redistribute it.”

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Brian Donnelly is professionally known as KAWS.

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Small Lie, 2013. Wood. 1000 × 464 × 427 cm

 

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This is KAWS’ first major exhibition in the UK and is now displaying at Yorkshire’s open-air gallery.

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Enjoy the rolling hills of Yorkshire Sculpture Park while observing KAWS’ work of art with your family or on your own.

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Large-scale sculptures are talking about childhood and how they keep staying with us as we grow up.

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Art Road visited this exhibition on July 2016.

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